Thursday, September 17, 2020

Two BIG announcements for next week!

Next week I have two really BIG events to share with you all. 


On Tuesday, the 22nd at 5pm (Pacific time) I will be presenting a class on wildlife photography for Creative Photo Academy (virtually of course). I will be speaking about camera settings, composition and other tricks to help you capture incredible images for yourself. I will be sharing images from Africa, Costa Rica, India and here at home, to help you learn how I captured them.

You can sign up for the class here: https://creativephotoacademy.com/events/jeff-cable-wildlife/

And then on Thursday, the 24th at 1pm...

...I will be hosting another Zoom Get Together. This one has a VERY special guest, none other than STEVE WOZNIAK! It's true, The Woz is going to be on live with us. Not only did he create Apple Computer, he is also a good friend and had a huge influence on my photography career. Yes, it was Woz who gave me my first digital cameras and inspired me to capture images in my life. We will share that story and talk about technology, digital cameras and answer your questions.

If you have not signed up to be on the Zoom calls, you can do so here: https://bit.ly/3c86Jmc

Once you have signed up, I will add you to the list and email you the Zoom invitation.


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Subscribe to the Jeff Cable Photography Blog by clicking HERE!
__________________________________________________________________________
If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
__________________________________________________________________________
Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa, Costa Rica, Cuba, Europe, Asia, India and more. And Canon will loan you any gear you want for FREE for any of my tours.

__________________________________________________________________________  

Thursday, September 10, 2020

Canon R5 and R6 - Overall opinion after a month of use

It was just over a month ago when I got the new Canon R5 and Canon R6 cameras in my hands for the first time. And if you have read the previous blog posts, you know that I put both cameras to good use over those 5 weeks. I have tested many of the new features, including face and eye detection, the different shutter modes, high ISOs, file formats, and more. So far I have had really great results in those tests, but then comes the burning question: After testing these new cameras and using them for real jobs, what was my overall opinion of these new mirrorless offerings?

My first real "ah ha" moment was when I went to photograph our friend's son as he tried out his new rifle at a local range. Ethan wanted photos of him shooting, but also asked if I could get a shot with the clip expelling from the rifle after the last round was fired.  I brought both of the new cameras, and I also brought my trusty Canon 1D X Mark III, thinking that this top-of-the-line sports camera would be my choice for this type of photography. 


I started with the Canon 1D X Mark III but immediately noticed that, since Ethan was in less than ideal lighting, he was going to be silhouetted due the background being much brighter than he was. I started to guess at how much exposure compensation I should dial in, but then decided to try the Canon R5 instead.


Knowing that the new mirrorless camera would show me the exposure right through the viewfinder, there was no guessing involved. Looking at the image that was presented to me "live" in the electronic viewfinder, I kept rolling the exposure compensation until Ethan was properly exposed (+1.3) and we both fired away.


Even when zooming in and isolating details, I could see through the viewfinder that I was exposed correctly.


Not only was the camera performing well for metering the scene, but the fast capture rate allowed me to get the shots that Ethan wanted, with the clip and shell being expelled from the rifle.


When moving to the other side of Ethan (with a slightly darker background), I could see in the viewfinder that he was a bit over exposed at +1.3 so I adjusted the exposure compensation down a bit. 


The following week I was hired to shoot portraits of this gentleman and his dog in San Francisco. This was the first time that I relied solely on the eye tracking of the new cameras and was amazed at the "take rate" of my images. When using my DSLR cameras (which do not have the face and eye detection of the new mirrorless cameras), I would typically have at least 10 percent of the images where the eyes were not perfectly sharp. When reviewing the images from the Canon R5 and Canon R6, the focus was almost perfect on every photo. 


What I realized during this photo shoot was that I could trust the camera to determine the focus on my subject's eyes, therefore letting me concentrate on other things like foreground, background, lighting and posing. Having one less thing to worry about is nothing short of awesome.


After photographing the portraits, I decided to play tourist and drive around the city with the new cameras.  


I thoroughly enjoyed the experience of shooting mirrorless, seeing exactly what I was capturing as I was shooting.


I drove over to the Palace of Fine Arts and had some fun with the different focus modes of the new cameras. 


For these photos, I switched the Canon R6 from face detection mode to a single point of focus and loved the fact that I could move the focus point from edge to edge. For this particular photo, I put the focus point on the pink flowers about 2 feet from where I was standing, and let everything else fall out of focus.


One other feature of the camera that I didn't think I would use much was the reciprocating screen. In the past, I have never felt that I needed the moveable LCD display, but I found it really useful for taking this photo of the Golden Gate Bridge. I was sitting on the ground and bending my neck at an awkward angle to look into the display to see if I could get the focus point directly on the chain, until I realized that I could move the display and view my composition from a much more comfortable angle. 


I know that cameras have had these reciprocating screens for many years, but oddly enough, the professional models from Canon have not offered them. 


This shot may look like a simple photo, but actually shows off the power of the Canon R cameras. This photo takes full advantage of two features of the cameras, using the reciprocating screen and the eye detection. I was not standing on a ladder to take this photo. I just held the Canon R6 up above my head, tilted the screen so that I could get the correct composition, and then relied on the eye detection to make sure that the focus point was on the young lady's eyes. The resulting photo was exactly what I was aiming for, and could not have been achieved with my Canon 5D MKIV or Canon 1D X MKIII.


A couple weeks ago, I photographed a Zoom wedding for a lovely couple in Mill Valley, CA. They got married on the front porch of the family's home. I photographed the wedding ceremony using the Canon R6 with my trusty Canon 70-200mm L Series lens (using the RF adaptor). 


When the couple had completed their vows and finished the formal ceremony, they walked over to the laptop and were greeting their friends and family. I decided to switch from the Canon R6 to the Canon R5 with the Canon 50mm 1.2 RF lens. I shot this photo at f/1.4 to separate the couple from the others in the background. 

And then someone on the Zoom call suggested that the new bride and groom should do a first dance. 


In the past, I would have switched lenses to my Canon 24-70mm and rolled the aperture to something in the range of f/4. But I had gained enough trust in the Canon R face and eye detection that I left the aperture at f/1.4 and photographed their first dance. 

Just to clarify...when you have a couple who are moving back and forth, shooting at f/1.4 is very risky. When I have tried this in the past, using older focus systems, I would end up with only a small fraction in sharp focus.


As predicted, using the face detection of the Canon R5 and the narrow aperture, this yielded great shots of the couple, while blurring the foreground and background perfectly.  This is a really big deal for me, since it allows me to shoot moments like this at wide apertures, with confidence that the images will be sharp!

Each of these scenarios, combined with the testing I have done along the way, has culminated into my final overall opinion of the Canon R5 and Canon R6

These cameras are game changers! 

So much so that I find it really hard to go back to my 5D or 1D X. That says a lot!  What excites me most about the new mirrorless cameras is not just one or two improvements, it is the combination of all these new features and benefits packed into new smaller bodies. I can honestly say that this is the first time in years that Canon has truly innovated and raised the bar. The Canon R5 and Canon R6 are not just improvements on their previous cameras, they are a giant step forward. 

The tough part is determining which camera to recommend to all of you who are writing to me asking this question. Since both cameras have more things in common than not, I think it mostly will come down to resolution. If you are looking for a camera with a lot of megapixels, I would recommend the Canon R5 and if 20 megapixels is fine for you, then maybe the Canon R6 is the camera to get. 

Now, the tough part is finding one to purchase as Canon appears to be sold out almost everywhere. Of course, I always recommend B&H Photo, since they are the biggest and best. 

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Subscribe to the Jeff Cable Photography Blog by clicking HERE!
__________________________________________________________________________
If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
__________________________________________________________________________
Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa, Costa Rica, Europe, Asia, India and more. And Canon will loan you any gear you want for FREE for any of my tours.

__________________________________________________________________________  

Tuesday, September 1, 2020

Canon R5 and R6 - File format comparison (RAW, CRAW, JPEG, HEIF)

In my last blog post, I shot images with both the Canon R5 and Canon R6 to compare the ISO performance of both cameras. As always, this lead to a lot of comments, emails, and DMs asking me if I could also compare the different file formats of these cameras. While I still have both these cameras on loan from Canon, I decided that now would be a good time to tests these parameters for all of you (and me too).

As many of you know, I have always preferred to shoot in RAW mode only. You can see my latest video explaining why this is the case. But these new mirrorless cameras offer new formats, such as the new CRAW and HEIF formats. Would either of these be tempting to me? Actually, after doing this test - maybe yes!

Just like my test of the cameras ISO performance, I created labels to put into each image so that there was no mistake on which format I was looking at. Each camera was set to Manual mode, ISO 160, f/8 at 1.6 seconds and using the new Canon 24-70 RF lens


With each camera, I took one image in each format (RAW, CRAW, JPEG and HEIF) to compare image quality and file size. Here is the data:

Canon R5

FormatSize
RAW47.5MB
CRAW22.3MB
JPEG12.4MB
HEIF13.1MB

Canon R6

FormatSize
RAW22.5MB
CRAW11.1MB
JPEG6.5MB
HEIF7.3MB

If you want to see these images in detail, you can download them from this Dropbox folder.

Before I commenced the testing, I already knew where I would focus my attention. I know that the new HEIF format is a newer and better file format as compared to JPEG, but that both those formats pale in comparison to RAW and CRAW. Why? Because both of the RAW formats include a lot more data and make it easier for me to make adjustments to the final images (protecting the details in the shadows and highlights). So...did I open the JPEG files to compare them to the RAW? Yes, and as I expected, the quality was subpar. Did I open the HEIF files? No, because at this time, Adobe Lightroom and Photoshop (ACR) will not open these files. But once again, I already know that I will shoot one of the two RAW formats to retain the highest quality possible.

But here is where things get interesting! 

As I mentioned, for the past 10 years I have opted to shoot in full RAW format for most of my photography, only choosing to shoot in the older MRAW (medium RAW) format when photographing receptions and parties, in situations where clients are not likely to be ordering very large prints. I typically opted to shoot full RAW files because I wanted the best quality images for myself and my clients. 

But when comparing the RAW files of the Canon R5 and Canon R6 to the new CRAW (Compact RAW) files, I could not see a difference in the image quality. even when zooming at 500%! All I saw was equivalent image quality but half the file size to download and store. And keep in mind that both the RAW files and CRAW files are the same resolution (8192x5464 on the R5 and 5472x3648 on the R6). I even called a friend at Canon to ask if I was missing something here, and he confirmed that it is very difficult to see the difference between a RAW and a CRAW image. So I asked him "Can you give me one reason why I would not default to shooting CRAW only instead of RAW?" and he could not.

Canon R5 CRAW file at 500%

Canon R5 RAW file at 500%

So my conclusion is this: I think I may be defaulting to shooting CRAW from now on. It feels strange to write this since I have always been a proponent of shooting full RAW files. But I just can't see any reason not to default to CRAW moving forward.

What are your thoughts?

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Subscribe to the Jeff Cable Photography Blog by clicking HERE!
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If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
__________________________________________________________________________
Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa, Costa Rica, Europe, Asia, India and more. And Canon will loan you any gear you want for FREE for any of my tours.

__________________________________________________________________________  

Thursday, August 27, 2020

ISO testing of the Canon R5 and R6 (and comparing them to the Canon 1D X MKIII and 5D MKIV)

Whenever Canon comes out with new cameras, one of my most important real-world tests is determining how clean the images look at higher ISOs. I am not testing this for scientific reasons, I am doing this test because I shoot in low light quite often and want the highest quality images for my clients. I also thought that you and the rest of the world might be interested in this as well.

Many people get caught up in the number of megapixels that a camera has on its sensor, thinking that the more the better. What people may not know is that the more megapixels they cram onto a sensor, and the closer that those pixels are to each other, the more heat build-up occurs. This increase in heat can ultimately also increase the digital noise (graininess) in our photos. 

If we all took photos exclusively outdoors and in bright light, this would not be a concern. But in normal times (not during this pandemic), I spend my weekends photographing in dark temples and churches and even darker party venues. This means that my cameras are usually set at a minimum of ISO 2000 and I sometimes have to raise the ISO as high as ISO 10,000.

For this reason, I was anxious to test the new Canon R5 and Canon R6 mirrorless cameras to see how they perform in low light. And to give me even more insight, I decided to put them to the test against the reigning top Canon DSLR bodies, the Canon 1D X MKIII and the Canon 5D MKIV.

In order to try and keep everything as consistent as possible, I put together a plan to use as much of the same hardware as possible. Since I had the RF adaptor in my possession, I decided to use the Canon 70-200mm 2.8 L lens which could then be mounted to my DSLR cameras and the new mirrorless cameras (using the adaptor). I mounted the Canon 70-200mm lens onto my Gitzo tripod, zoomed it to 200mm and pointed the lens at a dark object in my office (which turned out to be a black NFL helmet in my collection). I decided to set each camera to aperture priority mode at f/8 and vary the ISO levels from 100, 800, 1600, 3200, 6400 and 12,800. I chose these ISOs since they most represent what I typically use for my work. I went as high as 12,800 even though I almost never shoot anything above ISO 10,000.

I printed small cards to put in each shot to make it easier to see which camera and ISO level I was shooting in that particular photo. One by one, I would mount each camera, work my way through the different ISO levels and then switch to the next camera body.

Once done with the entire procedure, I came across some really weird results. But before we get to that, let's look at the noise levels for each camera.

I zoomed into each image to approximately the same spot (varying for the different resolutions). Not surprising, each camera delivered great results at ISO 100, with excellent clarity and very little digital noise. 

Canon R5 at ISO 100  (Image lightened in Photoshop)

Canon 1DX MKIII at ISO 100

The good news is that, even at the higher ISOs (like 6400 and 12,800), the results were very good. Regardless of the camera used, the resulting images from those high ISOs would clearly be good enough for most clients.

Canon R6 at ISO 12,800

If we zoom in and look at the photos, we can clearly see that we are losing detail in the image, but unless these images were printed very big, it would be hard to see this. 

But when we zoom in, this is where we see the biggest difference in ISO performance between not only the Canon R5 and Canon R6, but also the Canon 1D X MKIII and Canon 5D MKIV

Canon 1DX MKIII at ISO 12,800

Canon 5D MKIV at ISO 12,800

Canon R5 at ISO 12,800 (Image lightened in Photoshop)

Canon R6 at ISO 12,800 (Image lightened in Photoshop)

Amazingly, the Canon R6 outperformed all the other cameras, and in a very noticeable way. The R6 image not only retained much more detail than the other three cameras, but also showed much less noise in the lighter and darker areas.

Here is a closer look at the digital noise for the R5 and R6:

Canon R5 at ISO 12,800

Canon R6 at ISO 12,800

I figured that the Canon R6 would outperform the Canon R5 in this ISO test, but was not expecting this $2500 camera to best the $6500 Canon 1D X MKIII by such a wide margin. And here is another thing that puzzles me: If the Canon R6 uses the same sensor and same processor as the Canon 1D X MKIII, why are the ISO results so much better in the Canon R6? I have written to my contacts at Canon to get an answer to this. Stay tuned...

I think that the Canon R6 might be my choice for shooting weddings and bar mitzvah. I do not need 45 Megapixels for my clients and I prefer to have 20 Megapixels and the cleanest image possible.  I also know that, with the in-camera stabilization, I may not need to crank up the ISO quite as high with the Canon R5 and Canon R6

I know that, with the smaller images size that you see here in the blog post, you may not be able to see the details I am talking about. For this reason, I created a Dropbox folder for you all, so that you can download the full-res RAW images to see them for yourself.

So...what were the strange results that I mentioned earlier? After shooting all the images and comparing at the metadata, I saw a wide discrepancy in the shutter speeds for each camera. They were all set for the same ISO, same aperture, and pointing at the same subject through the same lens. Why were the shutter speeds so different? Here are the comparisons:


Shooting in AV mode at ISO 100 and an aperture of f/8, here is what I saw for shutter speeds:

Canon 5D MKIV: 3 sec

Canon 1D X MK III: 4 sec

Canon R5: 1.6 sec

Canon R6: 2 sec


Shooting in AV mode at ISO 6400 and an aperture of f/8, here is what I saw for shutter speeds:

Canon 5D MKIV: 1/15 sec

Canon 1D X MK III: 1/15 sec

Canon R5: 1/40 sec

Canon R6: 1/40 sec

I wrote all this down and stared at the results, trying to figure out how the shutter speeds could be vary so much. With the lower ISO, the Canon R5 and Canon R6 had shutter speeds that were nearly twice as fast as the older DSLR cameras! And at a higher ISO, the numbers (now the same for the new mirrorless cameras and the same for the DSLR cameras), the shutter speeds for the mirrorless cameras was still much faster than the DSLR cameras. I know, from previous conversations with the technical people at Canon, that different cameras with different sensors will yield slightly different results. But these showed a lot more variance than I would expect.

It wasn't until I looked more closely at the images that I saw what was happening.

Look at the image above and you can clearly see that the metering for the DSLR cameras (in this case the 1D X) is quite different from the mirrorless cameras (here showing the R5 images). The mirrorless cameras are determining the metering right from the sensor, whereas the DSLR cameras are determining the metering from a separate sensor. The darker images help explain why the shutter speed was faster on the mirrorless cameras. Now, the big question is...which camera was metering the scene more accurately.  I opened the image from the 1D X MKIII in Adobe Photoshop and hit the "Auto" button to see what it would suggest for an optimum histogram, and it wanted to add +.23 of exposure. When doing the same thing to the R5 image, Photoshop wanted to add +.84 of exposure. (It is for this reason that I lightened some of the R5 and R6 images in the examples above.)

That may come across as technical mumbo jumbo, but the fact is this. I am OK with the exposure captured by the mirrorless cameras, since it gives me a slightly faster shutter speed, and therefore a better chance of having a sharp image. I know I can make the adjustments to the exposure later in post production. 

Here is my thought process at this point: I think I would like to shoot events with the Canon R6 and lean towards the Canon R5 for capturing images on my photo tours. The reason for this is simple, when shooting events, I am almost always in dark environments and don't need more than 20MP. When photographing wildlife in Africa, Costa Rica or other locations, we are usually shooting outdoors in bright light, and I would love to have 45MP of data in those images, for those times when I need to crop in to see a far away subject.

As I write this last paragraph, I got an email from B&H Photo that the Canon R6 is now in stock. I placed my order for that camera immediately. If you are going to be buying anything from B&H. please use my link which is HERE. It won't look any different for you, but it does show me as the referring party which is helpful to me.

__________________________________________________________________________
Subscribe to the Jeff Cable Photography Blog by clicking HERE!
__________________________________________________________________________
If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
__________________________________________________________________________
Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa, Costa Rica, Europe, Asia, India and more. And Canon will loan you any gear you want for FREE for any of my tours.

__________________________________________________________________________  

Tuesday, August 18, 2020

More real-world testing of the Canon R5 and R6 cameras - Animal and people eye detection

As part of my ongoing real-world testing of the new Canon R5 and Canon R6 cameras, today's blog post is dedicated to the face and eye tracking feature of the cameras. Unless we are trying to shoot with a creative twist, the goal of a professional photographer is to get our subject's eyes in perfect focus every time. My goal was to push the cameras in extreme conditions and see how they fared. In order to show you the results, this blog includes a lot of sample images. 

I set out to test the tracking of both people and animals with both cameras. I purchased an adaptor so that I could mount my longer EF zoom lenses on the R cameras and started my search to find some subject matter to shoot. Since we are in the middle of this pandemic, my options for shooting team sports is almost zero, so I decided to drive to the coast to see if I could photograph surfers in the ocean.

As I approached the edge of the cliffs above the water, I saw seagulls flying in the area. I used my Canon 100-400mm lens switching between the Canon R5 and Canon R6, made sure the cameras were set to animal tracking and started to shoot.

The eye detection worked remarkably well. Even if I saw a bird flying at me at the last minute, I could quickly raise the camera and still get a nice sharp image. This is true even though the bird is not in the center of my frame. Normally, using my Canon 1DX Mark III or Canon 5D Mark IV, I would be in servo focus mode with the center point activated. This meant that I had to keep my lens right on the bird as it flew by, often yielding images that were out of focus. This was not the case in animal detection mode.

Here is a crop of the same image, showing you the detail of the bird.

It was impressive that the cameras could track the bird, even as it flew through some foliage in the foreground.

Here is another example of how well the camera tracked the seagull, even at the edge of my frame. This would never happen with my Canon DSLR cameras, because there are no focus points in this area of the sensor.

Using the Canon R5 and the same Canon 100-400mm lens, I switched to people tracking and followed some of the surfers in the water.

I locked focus on the woman in the middle of the group to see if the camera would hold focus on her, even with all the other possible subjects surrounding her. 




The tracking was dead on.







It was at this point, with the woman surrounded by other surfers and facing away from me, that I wondered if the camera would jump focus to one of the others. But that did not happen and the camera stayed locked on her.



I asked one of our family friends if he would be my model for an hour and he was nice enough to agree to be my subject for the next test scenario.

For the next test, I wanted to use the Canon R6 and Canon 50mm 1.2 RF lens and use the lens at its widest aperture. For those of you who have ever tried shooting a photo at f/1.2, you know that this wide aperture means that it is very hard to achieve focus on your subject. Any movement of the photographer or the subject means that the subject will be very much out of focus. Whenever I shoot at f/1.2, I expect my "take rate" to be a percentage of the overall photos taken. This is especially true when shooting a couple dancing at a wedding and, with this narrow depth of field, they are swaying in and out of focus. 

I locked focus on Ethan's eye and took a couple of test photos. They were tack sharp on his eye, but this was not the test I wanted. Once again, I locked focus on his eye and this time I asked him to move around.





The tracking worked even at the edges of the frame.









Ethan was moving much more than a typical subject (like a couple dancing in my earlier example), but the camera achieved incredible focus in almost every photo. This is amazing!




This last frame was the only one which was not tack sharp. So...is the eye detection perfect? No, but it is very accurate.  Definitely more so than I would be in this same situation.

This next example is one that I would never try if I were shooting a paid job. I asked Ethan to get on a swing and move at a high rate of speed to and from me, all with me shooting at crazy narrow apertf/1.2.


I locked focus one of his eyes and gave him the go-ahead to start swinging.




The focus held for the first grouping of shots...


...and then I lost focus for the next 3 images.




Soon after, the camera locked back in on Ethan's eye and tracked him once again.


Then I lost focus on him once again...


...only to have the camera lock back in. All of this was happened in a fraction of a second. Once again, the face and eye detection is not perfect, but I know that my "take rate" was significantly better than me using servo focus and trying to keep my focus locked point on Ethan's eye as he went back and forth on the swing.


When we were done, I wanted to capture a nice portrait of Ethan that I could send to him and his parents. I had him sit on a nearby ledge and took this photo of him. And then I had an idea. I wanted to know if a complete novice could capture a good portrait at f1.2 using the eye detection of the new camera. I handed the Canon R6 to Ethan and showed him how to use the back-button focus and asked him to take a photo of me. 

Ethan ended taking a bunch of photos me (with me moving around) and almost every one was in perfect focus.

I can guarantee you that this would not be the case without eye detection. With my other Canon cameras, we would have been lucky to have even one photo turn out!

So...what is my conclusion? The truth is I am totally hooked on both of the new cameras, especially because of the new face and eye detection. I used the Canon R5 on Friday to shoot portraits for a client. I relied on the eye detection for every shot, knowing that the camera would do a great job of getting my subject in focus and freeing me to worry about other things like the posing, exposure, foreground and background.  Whether it is a paying client or my dog running around in the backyard, I can definitely get used to this new technology!

I am in the process of testing high ISO shooting and the usability of the electronic viewfinder with both cameras. Stay tuned for those results in future blog posts.


UPDATE: Adobe JUST released the new Camera RAW which allows us to open RAW (CR3) files from the R5 and R6!!


__________________________________________________________________________
Subscribe to the Jeff Cable Photography Blog by clicking HERE!
__________________________________________________________________________
If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
__________________________________________________________________________
Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa, Costa Rica, Europe, Asia, India and more. And Canon will loan you any gear you want for FREE for any of my tours.

__________________________________________________________________________