Showing posts with label 2014 Winter Olympics. Show all posts
Showing posts with label 2014 Winter Olympics. Show all posts

Tuesday, May 14, 2024

The latest presentation at B&H is now online!

Last week I did a presentation called "Photographing the Olympics Over the Last 15 Years: How Technology Has Changed Everything". It was a totally new presentation that I created for this event, and while I was building the presentation, even I was amazed at how much has changed from my first Olympics in 2008 until now.

And even though most of you won't be photographing the Olympics, all of this information is pertinent to everyday photography.

You can see the video HERE or by clicking on the image below.


I hope you enjoy the presentation!


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• Subscribe to the Jeff Cable Photography Blog by clicking HERE!

• You can now purchase Jeff Cable Photography images from my new fine art site at: https://fineart.jeffcable.com/

• If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.

• Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa Costa Rica and more. And Canon will loan you any gear you want for FREE for any of my tours.

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Thursday, May 2, 2024

A NEW B&H presentation next week!

It has been a while since I have done a B&H Event Space presentation, but the wait is over. Next week, on May 8th at 3pm (EST) I will be presenting on a new topic. This time around I will be talking about how technology has changed since covering my first Olympics in 2008 and how that affects the way I capture the photos, the way I work, and the overall images.  


I am really excited to share this presentation with all of you, as I think it is fascinating to see how fast technology has changed in the past 16 years. 

You can thank ProGrade Digital for sponsoring this presentation, which means that it is FREE for you to watch. All you have to do is register HERE.

I hope to see you next week!

Jeff


__________________________________________________________

• Subscribe to the Jeff Cable Photography Blog by clicking HERE!

• You can now purchase Jeff Cable Photography images from my new fine art site at: https://fineart.jeffcable.com/

• If you are interested in purchasing ANY equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.

• Check out my upcoming photo tours to amazing places around the world. I have photo tours to Africa Costa Rica and more. And Canon will loan you any gear you want for FREE for any of my tours.

 _________________________________________________________________   

Wednesday, July 13, 2016

Olympic workflow - How much has technology changed in the last 2 years, and how much will it help me in Rio?

It is a little less than 3 weeks before I leave for the Summer Olympics in Rio de Janeiro, and I am doing final testing of all the new equipment I will be taking with me. This testing will help me determine the best settings, the best file formats and the best workflow to deliver images to Team USA faster than ever. And yes, they want the photos REALLY fast!

Just as in previous years, the 2 years in between Olympic Games has provided enough time for technology to advance enough to make a marked difference in my workflow. This is true for the cameras and memory cards and even the storage devices I will have with me. In this blog post, I look at each of the technology advancements that have occurred since the 2014 Winter Olympics in Sochi.


Since the camera is the single most important piece of equipment that I will be using everyday at the Olympics, I will start with this. I was happy when Canon released the Canon EOS-1D X Mark II a couple of months ago. This new camera brings me big advantages for the Olympics, with many improvements over the preceding 1DX. The dual DIGIC 6+ processors help the camera function and focus faster.  And even more importantly to me, this is the first Pro camera from Canon in many years that goes beyond Compact Flash and offers the new CFast memory card format (along with a CF slot).


Why is CFast important to me at the Olympics? I will be shooting the 1DX Mark II at 14 frames per second, which creates a lot of images. I need to capture all those RAW files (and yes - I shoot all my images in RAW format) with a camera that can clear the files from it's buffer to the memory card as fast as possible. BUT more importantly...after capturing the photos, I want to be able to download them as fast as possible. My deadlines are no longer measured in hours, but minutes. Every bit of time that I can save is huge to me.


Here are the cards I will taking with me to Rio. Lots of Lexar Professional 3500x128GB CFast cards for my primary storage.


Actually, my plan is to write RAW files to both a CFast card and CF card in the Canon EOS-1D X Mark II, more for insurance than anything else. It will slow the buffer clear a little bit, but give me the peace of mind knowing that the images are stored in two places. I tested this scenario a couple of weeks ago, and I was able to capture about 800 RAW photos when shooting to a CFast card only. When shooting to CFast and CF, I was able to capture 80 RAW images without any pauses in the camera. Although this sounds like a major speed degradation, I can not imagine any time when I would shoot more than 80 RAW photos in a row. I am going to have a large 256GB CF card in each camera acting almost like an in-camera SSD. I don't ever plan on downloading from the CF cards, since the faster CFast cards will be my primary storage devices.


For the first time, I will be using memory card readers with Thunderbolt connection. The newer Lexar CR2 CFast card reader has both a USB 3.0 connector and Thunderbolt 2 connector on the back. My goal is to have two of these CR2 readers velcroed to the top of my MacBook Pro, and connected using the two Thunderbolt ports.


The one piece of equipment which has not changed since the last Olympic Games is my MacBook Pro. I was hoping that Apple would come out with a new model before the end of July, but that does not look likely at this point. And even if they did, I would probably not have time to get it ready with all the software in time.

Since I mentioned software, I should probably tell you what I plan on using in Rio. Like all my previous Olympics, I am still planning on using a combination of CameraBits Photo Mechanic for all my culling and ranking, and Adobe Photoshop CC for retouching. This has proven successful in the past and I have not found anything new that is faster for my workflow.


After I have captured and edited all of the photos, I need a safe way to store them. I am using a combination of 512GB Lexar Portable SSD units (for daily backups) and Western Digital 4TB drives for the mass backups. And since I want to make sure that my favorite images are stored remotely, for even more peace of mind, I am using remote storage. In the past I have moved those images to my Dropbox account. But even better, now that my Drobo 810n allows for remote access, I am going to be backing up directly to the server in my home studio back in CA. How cool is that?


And now that I have remote access to every digital image I have ever taken, which are all stored on the Drobo 810n (on a combination of WD 8TB and WD 4TB Red drives), I am covered if I have a client who has an urgent need for an image.

Well...there you have it. I think I have covered all the new technology in this blog entry. But as I sit here and look at the words and photos, I am sure that I am missing even more. I guess I will have to give you all an update from the Olympic Games. The clock is ticking!

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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post or send my monthly newsletter.




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Wednesday, May 18, 2016

A recent interview that I would like to share with you all

A couple of weeks ago, I was interviewed by Samy's Camera, and I thought that their questions were really good. They went beyond the normal camera equipment questions and got more personal. I thought that you would all enjoy this read as well.

Here is a repost of their blog.


Interview: Jeff Cable – Olympic Photographer


Professional photographer Jeff Cable is only months away from flying off to photograph his fifth Olympic Games for Team USA. Quite a journey from the photographer who started his career shooting Bar and Bat Mitzvahs in the San Francisco Bay Area. Since then, he has covered Olympic Games in Beijing, Vancouver, London and Sochi, Russia.

Before he heads off to shoot the 2016 Summer Olympics in Rio De Janeiro, Jeff Cable will first be joining Samy’s Camera at PhotoCon LA on May 21st & 22nd at the Reef in Downtown Los Angeles.

Sponsored by Lexar, Jeff will be presenting a free class each day of PhotCon LA. Saturday, May 21st he will be teaching a sports photography themed class called ‘How To Get Great Sports Photos (Whether It Is The Olympics Or Your Own Kids). The Jeff Cable photography class on Sunday, May 22nd will be “Business of Photography: How To Make Money In This Ever Changing Industry”

Both classes, and many others, will be free for all PhotoCon LA ticket holders. Tickets to PhotoCon LA are just $10 for a one day pass or $15 for both days with kids under 12 going free.  Tickets can be purchased on the PhotoCon LA ticket page.

Samy’s Camera Photo Blog was lucky enough to have Jeff Cable take a break from his Team USA and PhotoCon LA preparations to discuss his career as a professional photographer and his experiences at Olympic photographer for Team USA.



Q: You are often described as a self-taught photographer. At a time where photography lessons and tips weren’t available with a click of a mouse, what resources did you use to help educate yourself?

A: I read a lot of photo books and magazines to get started, and would often try to replicate what I saw on those pages. At first, it was really about learning to control the camera. I have always been technologically savvy, so understanding digital cameras came pretty easy to me.

My biggest challenge was learning creative compositions and then learning to better control light with the camera and flash. I still find that learning how to control my speedlights is tougher than controlling the camera.

I also was lucky enough to be surrounded with great photographers who taught me a lot. Friends like Moose Peterson, Jay Dickman, Joe McNally, Denis Reggie, Joe Buissink, and others, all helped me along the way.



Q: With millions having viewed your free online photography classes, you are now a photography teacher yourself.  Did being self-taught have an impact on how you present your lessons?

A: Absolutely. It was great having tough critics to give me constructive feedback. Sure, it was hard when I sent what I thought was a really good shot, only to hear that it was not a good photo. But I needed that harsh feedback to push me in the right direction. This is why I do the same for people who look to me for feedback. I am tough – but honest. If they just want praise, they can post their photo on social media, and their friends will tell them that it is a great photo, whether it is or not.



Q: We’ve heard that Steve Wozniak gave you your first digital camera.  Is that true and, if so, what lead up that? Do you remember the camera he gave you?

A: Yep, that is the truth. Woz and I have been good friends for more than 30 years now. As you know, he loves technology. He also liked having friends learn the new technology with him, so that we could learn from each other.
He went to Tokyo and purchased a couple of Ricoh RDC-1 cameras (not even 1 Megapixel) with optional LCD displays, and brought one back for me. A couple of years later, I made a couple of trips to Japan with him and we bought different models of the Casio Exilim cameras. We loved the small size and instantaneous photos.

At one point he gave me an Olympus E-10 camera. This was the first “real” digital camera I had ever used, with a high quality lens. A couple of years later, Woz called me, all excited, and asked me to help him purchase a new Canon camera he had heard about. It was the 10D. We played with that camera, and I have been a Canon user ever since.



Q: Shortly, you will be heading off to Rio to cover your 5th Olympics for Team USA. How did you become involved with Team USA?

A: When I was at Lexar, I was managing a team of support people in the press center of the Olympics in Beijing. I saw what these photographers were capturing and thought “I need to do that!” After many years of working my contacts, I was able to convince them that I could do the job for them. For me, it was not about the money, it was about the life’s experience of taking photos at an event as huge as the Olympics.

Q: Was there an ‘Oh wow, I am doing this!’ moment while shooting your first Olympics?

A: I get this feeling when I arrive at each Olympic city. But then again, I have that feeling right now, and we are still months from the Games. I never take any of this for granted. I have worked really hard for this, but I still feeling damned lucky to do what I do. I think about that every day of the Olympics. I will be exhausted from shooting, editing, posting and blogging each day, but it is such an honor to be there.



Q: Do you have a favorite Olympic sport or event to cover?

A: I love covering all the sports at the Olympics, especially those that are different from what
I shoot here at home. I love the challenge of shooting something new. My primary team to shoot for in the Winter Olympics is USA Hockey. I play the game every week and love and understand that sport.



At the Summer Olympics, my primary team to shoot for is USA Water Polo. That sport is like hockey in the water. It is more challenging than hockey to get great photos, since half of the sport is played under the surface of the water.

At least I don’t have to shoot through bad Plexiglas. Both of these sports are favorites, partially because I get to know the athletes and have a personal connection to their outcome.


Q: What is typical kit you take with you when flying off to cover an Olympics? Does where the games are being held alter what you would include? Conditions in Sochi or even London are much different than Rio, for example.

A: I typically bring 2 Canon 1DX cameras (this time the Mark II) and a Canon 5D Mark III with me. The big cameras for the faster frame rate and the 5D Mark III for taking photos around town. Since Rio is not the safest city, I will likely replace the 5D with a G5x to be less conspicuous when walking outside the Olympic “safe zone”.


For the shooting water polo, I rely on the Canon 200-400mm lens, with the built in teleadaptor. This allows me to shoot wide (200mm) when the athletes are on my side of the pool, but zoom in close to 600mm, when they are on the other side of the pool. I also bring a Canon 70-200mm 2.8 lens for all the close-up sports, a Canon 24-70mm lens, Canon 16-35mm lens and a fish eye lens for wider and more creative shots.

Even though flash is not allowed in any Olympic venue, I do bring a Canon 600 EX-RT flash for the times when I am in the mix zone (where the athletes are interviewed) or outside the Olympic venues. I also rely on the flash when shooting the team parties. For all my post image capture workflow, I bring a MacBook Pro, Lexar cards and readers and a Wacom tablet. All this is transported in my ThinkTank bags.



Q: Shooting such a fast-paced event like the Olympics must bring a unique set of pressures along with the thrills and excitement.  What is your work flow like at the events when there is such a tight window between taking the shot and the whole world wanting to see it?

A: I use the fastest of everything I can get. I will be using the new Canon 1DX Mark II to shoot at fast burst rates, Lexar 3500x CFast cards to clear the buffer quickly, Lexar CFast readers that connect via Thunderbolt 2 to download those 3500x cards at blazing-fast speeds, and a MacBook Pro 15” with an SSD.



Every second counts when I am shooting, editing, retouching and posting with a 15-minute deadline. Before each event, I try to save a couple of seconds by pre-creating a correctly named folder on the computer, and having a script written to move the retouched images to a Dropbox folder where the team can grab them.

Unlike the big agency photographers who have card runners and editors, I am doing everything myself. And after I have done all the workflow, I still make time to write a blog post to share with everyone. The pressure is crazy, but I like it that way.



Q: Los Angeles is currently putting together 2024 Summer Olympics bid.  How do you think the experience of covering the Games in your home state compare to those you have covered in foreign destinations?

A: It would be really strange to photograph the Olympics in my home state, but it would be great. Logistics wise, it would be so nice to arrange everything in an area I know well. It is always difficult to determine press housing locations, transportation and all the other details when you are half a world away from the Games. The 2010 Winter Olympics were in Vancouver which is only a 2-hour flight from San Francisco, and it was really nice to be in the same time zone as home. It is also great when the native language is English, making communications easier. That would be just one less detail to worry about. But, with that said, I love going to a foreign location and interacting with the locals. The energy level is amazing at every Olympics. I guess the excitement is global.

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I will be presenting at PhotoCon this weekend in Los Angeles. Here are the details:

When: Saturday, May 21 and Sunday, May 22, 2016 from 10am to 6pm each day.
Where: The Reef in Downtown Los Angeles
Cost: $10 for 1 day pass or $15 for 2 day pass. Children under 12 free with ticketed adult.
Click here for more information & to buy tickets.
Follow PhotoCon LA on Facebook at Facebook.com/PhotoConLA to keep up to date with news about the event.

Wednesday, April 27, 2016

100 Day Countdown to the Summer Olympics in Rio!

Today marks the 100 day countdown to the Summer Olympics in Rio and the excitement is growing! I woke up this morning and thought about the last 4 Olympics that I have been lucky enough to photograph. To commemorate today, I decided to post images from opening ceremonies from each of those big days.


The 2008 Summer Olympics in Beijing was the first Olympics for me, and one that I will never forget. At that time, I was not able to get "up credentialed" to shoot the opening ceremonies, but I was able to get a premises pass that would let me shoot from outside the Bird's Nest.


Every Olympic year, there is a lot of talk about how the host city is not ready for the Games. Although I have found this to be a lot of hype, there is also some truth to it. I shot this photo of a Chinese man working on the Olympics grounds at midnight, the day before the opening ceremony.


Here is one of my favorite moments from the Beijing Olympics. Having a chance to see and photograph Michael Phelps in many of his competitions, I had a smile from my face for days.


Approximately two years later (2010), I was photographing the Winter Olympics in Vancouver. And this time, I was able to get a ticket into the Opening Ceremonies and experience that for the first time. (Even press have to be ticketed for certain "high impact" events.)  


One part of the Olympic Flame failed to rise from the floor, but I didn't care. It was still beautiful, and made for a good story.


This fish eye shot was one of my favorites from the Vancouver Olympics. I was shooting (and continue to) for USA Hockey in the Winter Games and feel honored to do so. I love watching and playing hockey, so this is very natural for me.


In 2012 I was in London to photograph the Summer Olympics. Here is photo from their Opening Ceremonies. Ever time I look at these photos, it brings back memories for me. I remember having to be in the stadium for 7 hours prior to the start of the ceremony and the many hours of anticipation leading up to the event.


I was sitting in the "head-on" photo position, which save me a clear shot of each team entering the stadium. This photo was one of my favorites from the London Opening Ceremonies, as the home team entered for the first time. I still get chills when I see this.


The Summer Olympics in 2012 was my first time shooting for USA Water Polo and it ended up being an amazing experience. I really enjoy the sport, and more importantly I love the support people at USAWP and the athletes themselves.


Photographically, it was a challenge to get unique shots for the team, but the team was very happy with the results. So much so that we are working together again in Rio.


This photo was one of my favorites from London, because it was the first time I ever photographed a Gold Medal match for "my team". I am hoping that I am in the same situation with both the men's and women's teams this year!

My favorite moment from the London Games happened hours after this photo was taken. After hours of editing and posting for the team and their advertisers, I was invited to the team party. Not as their photographer, but as a part of the team. I remember talking to many of the athletes who told me that they could not wait to get back to the village after each game to log in and see the photos that I had taken. How cool is that?


And then there were the 2014 Games in Sochi, Russia, where I was once again photographing for USA Hockey as my primary team. For these Opening Ceremonies, I was sitting in a higher position, but still able to zoom in and capture Team USA entering the stadium. Chills once again!


As many of you know, Sochi had a lot of challenges for myself and the other media. But overall, I still think of those Games with fond memories. Heck, I came home with a ton of really crazy stories to share with all of you.


This photo shows one of my favorite moments from the Sochi Olympics when T.J. Oshie was called upon to make one shootout goal after another. It isn't often that I get to see and feel the game when I am shooting, since I am concentrating on getting good photos, in focus and at the peak of action. But this game was incredibly exciting, even for me as I was doing my job.


I took this night shot of the Olympic Flame towards the end of the 2014 Winter Olympics. Being one of the last shots taken at that Olympic Games, It is the perfect transition photo to the next Games.

After years of planning, I am very excited about my upcoming trip to Rio. I am flying there 5 days before the Opening Ceremonies, so that I can shoot and share lots of behind the scenes photographs with all of you!

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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. It does not change the cost to you in any way, but it helps me keep this blog up and running.
_________________________________________________________________________________

And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post or send my monthly newsletter.




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Friday, January 2, 2015

Some of my favorite photos from 2014 - A look back at last year

Wow - hard to believe that it is 2015 already! Where is the time going?

As I do at the end of each year, I go through all my photos and pick some of my favorites to put together a slideshow. This year, my good friends at Photodex helped me put together my compilation of some of my favorite photos from 2014.


You can click on the graphic above or click here to see the 5 minute video. The video starts with numerous photos from Winter Olympics in Sochi and then roams through the year. I hope you enjoy viewing them as much as I did shooting them!

And...Happy New Year to all of you.

Jeff


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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.
_________________________________________________________________________________

And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.

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Wednesday, April 9, 2014

My friends at Photodex made this cool Olympic video using my photos

My friends at Photodex asked me if I was going to create a video of my favorite photos from the latest Winter Olympic. I really wanted to do it, but just have not had time! Then they offered to build the video for me. I uploaded the files to them using Dropbox, and they put together this awesome video showcasing some of my favorite shots from the Sochi Olympics. I really love the way the music and effects add to the my photos!


Video re-caps like this are such a cool way of showcasing a series of images in a new and exciting way. The video was made using their ProShow Web video slideshow tool. Give it a watch, feel free to share with others, and let me know what you think in the comments!

Tuesday, March 4, 2014

The best and worst parts of photographing the Olympics in Sochi

Now that I have returned home from Russia, the number one question from everyone is, "How did you like the Sochi Olympics?" And as I answer this question each time, it forces me to think back and analyze the 3 weeks in Russia.

First of all, I have to say that even in conditions that were less than ideal, it was still the Olympics, and I was really glad to be there. 

I will start with the bad parts.

Honestly, the thing that bugged me the most (and was shared by many other people I talked to this time around) was the lack of soul of this Olympics. Normally, the best part of being at the Olympics is the vibe. When I would walk around Vancouver or London, you would be surrounded by people who were in the Olympic spirit and excited to be there. But this year, I really did not see any of that.  I am not sure why this is, but it could be for numerous reasons:

1. Sochi is a small town, far from any large city. This made it very difficult for people, including Russians, to get there. Most of the venues had empty seats for even the most popular events.

2. The terror threats kept many people away, and cast a negative tone on the Sochi Olympics.

3. Most of us in the media stayed in the "Olympic bubble" for security reasons, and because there was almost no reason to leave the grounds. This meant that there was less mingling with the spectators.

For me this was sad, as I have always enjoyed the positive environment of the Olympics. 

As many of you know, the housing was another negative part of the Olympics for me, paying a lot of money for a place that was lacking many of the services I needed. Here we were, the media, staying in a "hotel" with no Internet (for the first week), very few power outlets that worked, and with locks that could barely keep a child out of the room. At first I was really freaking out about the housing, but I learned to adapt to it. And...with a week left at the Olympics, we did get Internet that was working and reliable. The funniest part is that, after 3 weeks of staying at Omega 18 (which I jokingly called Stalag 18), on the day that I left, they came and installed a hair dryer in my room. Have you seen my head? This was not critical for me! :)

Another bad part of this Olympics was the food in the Olympic Park. In past Olympics, the press center had very good food options for us, with international choices. So, we could choose to have asian, mexican, western or local cuisine. This time around, the food court had very few options and the food was not very good. The worst part was that those options never changed. They served the same 5 things for the entire month. The food court could probably seat 500 people or more, and I swear I never saw more than 30 people in there at one time. It was that bad. So, what did that leave us? Well...there was a McDonalds on site and many of us ended up eating there way more often than we would ever admit. After the second week, I felt like I was living in that "Super Size Me" movie. There were two sit down restaurants outside the press center, and those served pretty decent food. But they were both expensive and they took a while to get us food. At the Olympics, we move at a fast pace all day and all night. Sitting down for an hour long meal or traveling far to eat was not usually an option.

After the Olympics were over and I had a couple of days to explore the towns of Sochi and Adler, we did find some pretty good restaurants.

Traveling to and from Sochi had its challenges too. Most of us flew into the city via Aeroflot Airlines, and for the most part, they were excellent. But they have very strict policies on carry-on and checked luggage. I have flown all over the world with my LowePro x200 rolling bag, and I have never had an issue carrying it onboard. But Aeroflot said that it was too heavy to put in the overhead. Mind you, I have put this in overhead compartments countless times. And I really wasn't comfortable checking a bag with $25,000 worth of camera equipment. I had to get creative with this one. And, they also were strict about the 22k weight restriction on checked luggage, adding steep overage charges to passengers. I talked to a couple of people who had to pay more than $300 for excess weight and to get an extra bag checked.

The best part of the shooting the Olympics in Sochi was probably the Olympic venues. I loved the proximity of all of the venues in the coastal cluster. I could move from men's hockey to women's hockey to speed skating or curling, all within a 5 minute walk. That was awesome! 

The transportation was also very good in Sochi. I am not sure if they blocked the roads for locals, but we almost never saw any traffic on the roads, and the buses ran like clockwork.

I should also mention that the evolution in photography equipment really helped in Sochi. Shooting with the Canon 1DX cameras, and being able to use the Canon 200-400mm lens for all the outside sports was just amazing. I loved carrying one big lens around, as opposed to trying to figure out which focal range (300mm to 600mm) to carry with me. And once again, using the fastest memory cards, readers and laptop helped me meet those crazy fast deadlines. 

This year, even more than Olympics past, I was able to interact with the athletes on a daily basis. I think that this comes with working with the teams in past years, and earning their trust. Getting to know the athletes is such a thrill. Not only to see the personalities behind the faces, but to be more invested in their outcome of the competition.

And...of course...I am always thrilled with the opportunity to photograph some of the top athletes in the world. If it wasn't for them and their abilities, my photos would not be as interesting. They help make the photos come alive! 

One thing that did not change from my prior Olympic games, was the camaraderie amongst the photographers. We tend to see the same faces every couple of years (although there are some photographers who only shoot the Summer games or just the Winter games), and we get to know each other pretty well. And this year, like the others, I made many new friends, one who even lives very near my home town.

Speaking of new friends, this year was a chance for me to share all of the photos and stories with you all, my new online friends. And it was so much fun to have the interactions with people from all over the world. Many of you posted comments or emailed me telling me that you were learning from me. And I learned from many of you as well. There were numerous times when I would post something new to me, only to find out that many of you were familiar with the situation, and would help educate me. The best comments were the messages saying that complete strangers felt like we were friends, and I felt the same way from my side of the computer.


As always, I plan to write blogs at least once a week and share different photos and experiences with you. And then in another couple of years, I will be off to Rio to photograph the Summer Olympics. That should be fun!

Wednesday, February 26, 2014

Closing ceremony - The final photo shoot of the 2014 Winter Olympics

This morning I got up at 3:45am to get to the Sochi airport. Even though my flight did not leave until 8:30am, we were warned to get to the airport very early. It is a good thing that I did, since I only had 30 minutes between getting through allthe lines and boarding the plane. We just took off from the Sochi airport, as I make my way to Frankfurt, Germany and then ultimately to San Francisco. I am still in the Olympic mode of making use of every waking minute, so here I am writing this blog. This blog will be posted from 38,000 feet, since there is WiFi on the long flight home.

I had this last set of photos, from the closing ceremony, that I wanted to share with you all.

Before we go through the photos, I thought I would tell you a little about the difference between opening and ceremonies for me. For opening ceremony, I had to be in place 3 to 4 hours before the event started. For the closing ceremony, all of the photographers who covered the gold medal hockey game, had a tough time making the closing ceremony. The hockey game started at 4pm and went until 7pm. The closing ceremony started at 8:14pm, so there was very little time to download photos, post, and then get from one location to the other. I ended up leaving the gold medal game early.

The nice thing is, I picked photo position B, which was facing the opposite direction from where I sat in the opening ceremony. I figured that a different location would be refreshing (and I didn't know if they ever repaired all the broken seats in the other position). As it turned out, it was a great pick, because there were handicap seats behind our position that were not being used. Before the show started, myself and a couple other photographers, hopped over the railing and sat there. This way we could have ample room for all our bags, cameras and lenses.

So...here are the photos and stories for you.


Before the ceremony started, they had numerous performers to warm up the crowd. Nobody that I had ever heard of, but they were fun nonetheless. This group was the most visually interesting, with their amazing outfits and colors.

I brought a combination of cameras and lenses for this event. For this photo, I used the Canon 1DX with the 200-400mm lens to try and get in close to the subjects. I left the camera in aperture priority mode most of the time, because of the ever changing lighting during the show. For this shot, I was at ISO 3200, f/4, and 1/125 sec.

Then everything stopped for a long time, and we waited 20 minutes for the show to begin. It was really awkward, because unlike other Olympic ceremonies, where the hosts practice the big countdown and get every psyched, they just had silence and a countdown clock on the big screens.


One of the first parts of the show was this large group of people who came out and formed the Olympic rings. But, just like in Vancouver where they mocked there own problems in the ceremonies, the Russians poked fun at themselves, when the rings did not open correctly. This made me laugh.


But after a slight pause, the people did form the Olympic rings correctly and all was good.

All the wide shots in this blog post were taken with another Canon 1DX mounted with a Canon 24-70mm lens.


I saw these drummers coming out from the middle of the stage, and I thought that this would be another great time for a motion blur shot. So, using the long lens, which was mounted on my trusty Gitzo monopod, I slowed the shutter speed and panned slowly with them as the entered the stadium. I lowered the ISO to 2000, changed the aperture to f/8, which gave me a shutter speed of 1/15 sec. Notice the movement in the snare drummers sticks.


And then when they came closer to me, I did the same technique again. The difference here is that they were in much brighter light, so I changed the aperture to f/22 to lower the shutter speed again to 1/15 sec. I thought that this would be a perfect moment for motion blur, with everyone's faces and bodies still, but the arms in motion.


Then they had this whole element of the seasons, similar to the opening ceremony.

Honestly, for those of you who watch this on TV, you probably know much more than I do, since we get no commentary while in the stadium.


I saw this woman suspended in the air, and really liked the composition of her in the white dress against the blue background. Very Mary Poppins esque. :)


Then came this pianist, who I believe is well known in Russia. I shot with the wide lens to show how many others were on the stage with him.


And then I switched to the long lens and slowed the shutter again. Figuring that, with the main pianist not moving, but everyone else moving around him, would make for a cool effect. I shot numerous photos at this time, since I needed the main pianist to keep his head still for one frame.


One of the benefits of using the long lens and getting the 400mm reach, is that I could zoom in and isolate performances.


This is my favorite photo from the closing ceremony. The perfect lighting of the main ballerina, while having muted lighting on the others, makes for a very cool image. To me, it almost looks like a painting. Even the background looks like a painting.

This photo was taken at ISO 3200, f/4, at 1/100 sec and I dialed in -.07 exposure compensation to make sure that the main ballerina was not too bright.


They had these adorable kids throughout the show. I loved it when they had all these papers flying out from the stacks of books.


Mid way through the show, they got down to business and they handed over the Olympic flag to the mayor of PyeongChang, Korea, the site of the next Winter Olympics in 2018.


On the program, it said that they had a whole section on the hall of mirrors. I was hoping for something a little more dynamic than this, but it was still pretty cool.


Have I mentioned how much the Russians love the Olympic mascots? They came out and everyone went crazy.


I switched back to the wide lens to show the whole scene, with all the people in the periphery.


And then, after a performance, the mascot extinguished the Olympic flame.


This famous opera singer came out and sang a song from a suspended boat / blimp. I saw all the fake snow falling around them and though that it would be a cool shot. For this photo, I had to manually focus the lens, since the autofocus would keep focusing on the snowflakes.


At the end of the show, they filled the stage with all of these people. There was supposed to be one more performance, but the fireworks started going off outside the stadium and everyone ran out to watch those.

I ran out to shoot some of the fireworks, but since I was so close to the stadium, with no interesting foreground or background, they were just regular old fireworks shots.


This, folks, is my last Olympic photo taken. I was carrying all of my gear from the Fisht Olympic Stadium back to the main press center, and as I passed the extinguished flame, I put everything down and shot this closing shot. With the flame out, I figured it was the perfect photo to end my journey.

Thanks to all of you for following along, and for posting the hundreds of comments along the way. You all inspired me to keep blogging. When I first started blogging from the Beijing Summer Olympics in 2008, I think I had 50 readers a day. This time there were more than a quarter million viewers. I feel so fortunate to be able to go to the Olympics, to share the experience with you all, and to get your feedback. Thank you, thank you!