Thursday, March 19, 2015

My real world review of the new Canon 100-400mm II lens

I know, I know...many of you have been waiting for me to review the new Canon 100-400mm II lens for quite awhile. I have had the lens for more than 2 months and have not written a review until now. Why have I waited so long? Because I wanted to put this lens to the test in numerous real world scenarios before coming to any conclusions. Unlike other sites where they do all types of scientific tests of lenses and show graphs and charts, I wanted to try it out to see how it feels and how it performs in the real world!

Let me start by saying that the older 100-400mm lens from Canon is a good lens, and one that I relied quite often. Since I use this focal range so often and consider it vital to my business when shooting events (generally from the back of a temple or church), there was no doubt that I would purchase a new and improved version.

The original lens (which is one of the oldest L series lenses in Canon's lineup without an update) was a "push-pull zoom lens" which had its advantages and disadvantages. It was really easy to zoom from 100mm to 400mm or vice versa with a quick push or pull of the lens. But this same design created a vacuum effect, drawing air into the camera's sensor area. Some people referred to this lens design as the "dust pump". The other drawback of this design is that the focus would change slightly when you zoomed in and out. If you focused on a subject at 400mm and then pulled out to 150mm, there was a chance that your focus would drift off.



The new version of the Canon 100-400mm lens uses the more common twist method to zoom in and out. And, as it turns out, this too has its advantages and disadvantages. The advantage of the rotating zoom is that the lens holds focus through most of the focal range. If you are zoomed to 400mm and lock focus, then zoom back to 100mm, the sharpness stays. This design also makes the lens less likely to extend to its longest length when carrying it around. With the older model, unless I locked the lens down with some force, it would slide out when I walked around. This was a bit of a pain. The one drawback of the new design is that it takes slightly longer to zoom from 100mm to 400mm. Instead of a quick push or pull, I now have to turn the zoom ring a long way. Many times, this involves 2 twisting motions to get the lens zoomed all the way in or out. Is this critical? Not in most situations. But there are times when that split second can be the difference between getting the shot or not.

Before we get into the sample images, let me tell you why I love the 100-400mm focal range. The fact is, I like zoom lenses! They allow me to shoot wider or tighter without having to change my position, and in many cases allow me to get in close to a subject which might otherwise be impossible.

OK, let's take a look at some images that I took with the newer 100-400mm lens.

I received the new lens one day before leaving for our family vacation in Mammoth Lakes, CA. So I used this trip to test out the lens for the very first time.

These first two images are a great example of why I like the 100-400mm zoom.


This first image was taken at 100mm. If you look closely, you can see the bird at the top of the rocks.


This second image was taken at 400mm (zoomed all the way in) and you can now see the bird much better.  I did not move my shooting position at all, but the subject is totally different in these two shots.


It was late in the day when I was taking these images. I looked up and saw the sun setting behind the nearby rocks and quickly changed the aperture of the camera to f/18 to test the sunburst effect from the new lens. I was very happy with the results.

These first three images were taken with the lens attached to the Canon 7D Mark II, effectively extending the range of the lens due to the smaller crop sensor. This brings up another point. This lens does work well with either a crop sensor or full frame camera.


Since we were in the snow (what little we have had in California this year), and I was anxious to test out this lens, I decided to shoot images of our dog Cooper. For this shot, I wanted to test the clarity of the lens. This photo was taken with the Canon 1DX and the lens at 340mm, and the sharpness was excellent.


This is a tight crop from the image above. The detail in the pinecone is excellent, even with the lens zoomed close to it's full range.


And then...with my dog in full action, it was time to test the focusing speed of the new 100-400 lens. Once again, the lens performed well.


Not having any scientific data, but looking at the images captured, I would say that this newer lens focuses at least 20% better than the original version.

Back home in the Bay Area, the weather conditions were a little different and it was time to try the lens for sports.

Firstly, I should say that I really like the compact size of this lens. Some people would look at this lens and think that it is really big, but for a sports photographer who is used to carrying around a 400mm f/2.8 or a 500mm f/4 lens at all the Olympics, this lens seems compact and easy to carry around.


I was asked to photograph my daughter's high school swim meet, so I popped the new lens on the Canon 7D Mark II to test both together in this environment. This first photo was taken with the lens zoomed all the way out to 400mm, and the lens worked perfectly.


You can see the level of detail in this swimmer's face. For those people who say that zoom lenses do not give you acceptable clarity, I would disagree.


Here are another couple of examples. The camera was in AI Servo focus mode and tracked with no problems, from the side...


...and with the swimmer coming right at me.


Just for the fun of it, I slowed the shutter speed down to 1/80 sec and panned with this swimmer to see how the lens felt with motion panning. Once again, I was happy with the results. Canon says that the image stabilization is substantially better in this newer version and I have no reason to doubt them. I did not spend much time testing this feature to see how it worked when purposely moving the camera, but it was turned on to mode 1 for all of these photos (even on this shot at a slow shutter speed) and the images speak for themselves.

But the real test for me was not with sports and family photos, it was putting the lens to test at an event. Remember, this is where the lens has to work well. I was waiting to photograph a wedding or Bar Mitzvah inside, with much less light, before making any final judgement. In the last couple of weeks I photographed a couple of Bar Mitzvahs with the lens and had a chance to see how it stacked up against the older model in this tougher environment.


This photo was taken in a rather large temple, where photographers are required to stand in the back. Of course, no flash is allowed during the service, so I am typically cranking up my ISO between 2000 and 3200 in order to achieve a relatively fast shutter speed. Whenever I shoot with the lens mounted on a tripod, I turn off the IS, so that is not a factor here. I also use back button focusing to lock in the focus and sometimes use Live View to zoom in and fine tune the focusing. Taken at 400mm, this lens lets me get up close and personal with my subjects while staying far away and inconspicuous.


For this shot, I pulled back to 330mm to make sure I had mom, dad and son in the frame.


This shot was taken a week later at another temple, which is slightly smaller. This photo was taken at 220mm. If you have followed my work for awhile, you know that I like trying to find unique photos from every event that I shoot. Here I pulled back to include some of the crowd and focused on the family watching the bar mitzvah boy. I shot this at f/5 to make sure that the focus was off on the boy and tack sharp on the family, thus drawing the viewer's eye to the family.


At some parts of the service, the congregation is asked to rise. I used all 400mm of the new lens to get in between the people to show the happy young man.


Here is a tight crop from the same image. Yes, there is some noise because I was shooting at ISO 3200 on the Canon 5D Mark III (in silent mode), but the detail is definitely there.

Speaking of getting in close, I love the fact that this newer version of the 100-400mm lens lets me focus much closer to objects.  The minimum focus distance is now approximately 35 inches which is almost half of what the older lens could achieve. I could have really used this in Costa Rica! There were so many times when I was trying to photograph a critter and could not get far enough back to achieve a good focus.

Conclusion:

I can tell you that the new Canon 100-400mm II lens is well worth the upgrade. Here is why it is better than the previous model:

* It is sharper (all the way from 100mm to 400mm)
* It focuses faster
* It holds focus better when zooming in or out
* The image stabilization is newer and better
* The minimum focus distance is half of what the older model could achieve
* Better weather sealing
* The new lens hood has a retractable door for rotating a filter

If anyone is interested in buying my older version, it is now for sale. :)

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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.

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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.




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Thursday, March 12, 2015

A visit to Gruyere, Switzerland for photos. Say cheese!

You have probably heard about, and hopefully tasted Gruyere cheese. I could probably live on bread and cheese alone, and this happens to be one of my favorite cheeses. I was excited to visit the small town of Gruyere, the home town of this cheese, in Switzerland.

Before leaving on our trip to Europe, my wife and I looked at a map of Switzerland and marked this as a place that we both wanted to visit. The countryside is really beautiful and we looked forward to some good food in the area. But, along with good views and food, I looked forward to capturing this picturesque town in photos.

(All of the photos taken in this blog post, except for the last one, were taken with the Canon 5D Mark III. I used a combination of the Canon 24-105mm lens and the Canon 28-300mm lens.)


Before stopping at the cheese factory, we drove around to check out the very small village. At one point, we came to the end of a small road and saw this view. Both of us hopped out of the car and took photos.


After making our short trip around town, we did indeed visit the cheese factory. We did not take the tour, but did get a chance to view the aging room, which is accessible to anyone. (Photographer's tip: When shooting through glass, it is best to find a clean spot and then put the lens right up against the glass. I removed my lens hood so that the lens was as close as possible to the viewing window. This will help you avoid reflections from behind you.)


Instead of eating at the cheese factory, we decided to walk up to Gruyere Castle and find lunch. I would recommend this, since the view is spectacular and the food is excellent. This photo was taken from the pathway up to the castle.


We sat on the outside balcony of one of the restaurants, and were treated to great cheese fondue and this view. It was a such an awesome day!


After our lunch, we walked around the upper area of the castle.



It is mostly shops and restaurants, but was still enjoyable.


While walking around the perimeter of the castle, I came across this view. Not only did I like the scene, but this is a perfect photo for teaching photography. Why? Well...most of the time, a good photo has a strong foreground, middle ground and background. Here, there were all three elements, which I found pleasing.

1. The staircase is a perfect element for leading the viewer's eye up to the castle.
2. I had a nice clean shot of the castle, which is the main subject of the shot.
3. I had the Swiss Alps in the background, setting the overall scene.

(Photographer's note: Most novice photographers and enthusiasts will take a photo of just the main subject. Just the castle, or just the mountains. But as you can see from this photo, having all 3 elements in the photo makes the photo more interesting. Next time you are taking a photo, think about your foreground, middle ground and background, and challenge yourself to include all 3 in your shot.)


After walking around the castle for a while, all I could think was "this would be a cool place to get a drone shot." My wife was less excited about this endeavor and did not want me fly the Phantom 2 Vision+ from the castle. On the drive in to the castle, I noticed a small road that went around the perimeter of the hill. So we left the parking lot and I drove along the small road until we came to a good spot to pull over. I set up the aerial camera and let her fly.

Once again, this was a perfect example why I love these aerial cameras so much. Without the Phantom 2, there was no way that I could get this type of shot!

I hope you enjoyed the photos from this location. Now you need to get yourself to Gruyere for some of that amazing fondue!
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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.
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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.

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Wednesday, March 4, 2015

An amazing San Francisco sunset!

Recently, my wife and kids were out of town and I decided to take off on my own and shoot photos for an evening. I don't know about you, but I love taking photos strictly for the pleasure of doing so. I was not taking these for an ad campaign or another job, but strictly for the love of photography.  And wow, I picked the right evening and the right location to take photos on this particular day!

The previous evening, I was driving and saw a really pretty sunset, and I wondered if it would be as pretty the following day. After meeting with clients and editing some images, I decided to take a chance, and drive an hour north to San Francisco to see if I could grab some nice night shots of the city.

As I drove up to the city, I saw clouds moving in, and wondered if they would enhance the sunset or obscure it. Only time would tell...

I arrived in San Francisco around 4:30pm and drove up to Twin Peaks to checkout the view and check the visibility.

(Canon 5D Mark III, Canon 28-300mm lens at 100mm, ISO 320, f/5.6, 1/1000 sec)
This is the view of San Francisco from Twin Peaks. And as you can tell, visibility was excellent! I took some photos with the Canon 5D Mark III using the Canon 28-300mm lens. I really like this lens since it provides me with a great range of focal distance. This photo was taken at 100mm, but I did shoot wider and tighter photos.

As I was taking photos up at Twin Peaks, I was careful to watch the time. I use an app called "Sunset" on my iPhone and knew that I had limited time before the sun was going to set. I had a 20+ minute drive to Treasure Island and did not want to miss the best shooting time.

I drove across the Bay Bridge and immediately after taking the Treasure Island exit, I saw a turnout. I parked the car there and decided to fly the DJI Phantom 2 Vision+ for a shot of the bridge and the city.

Taken with the DJI Phantom 2 Vision+ aerial camera (with built-in camera)
I flew the aerial camera up over the tree line and just caught the setting sun dropping down behind San Francisco. The setting sun was casting a perfect golden light on the Bay Bridge. I took a handful of photos and videos before realizing that I might be missing a good sunset. I quickly packed up the drone and drove down the hill to see this...

(Canon 5D Mark III, Canon 28-300mm lens at 85mm, ISO 320, f/8, 1/250 sec)
It was only a two minute drive down the hill, but I saw this sky and hauled butt to park the car, grab my gear and start shooting. You see, I have been to this area numerous times before but NEVER seen a sunset like this over San Francisco. For those of you who live in the area or have visited, you know that this is a rare occurrence I had my 5D Mark III, the same 28-300 lens, my Gitzo tripod and Acratech ball head. I was ready to go! The photo above was the first photo I captured. And when I looked at the LCD of the camera, I was blown away! The clouds were so perfectly placed over the Golden Gate Bridge, reflecting the sunlight and still showing some of the blue sky.

(Canon 5D Mark III, Canon 28-300mm lens at 65mm, ISO 100, f/8, 1/25 sec)
And it just kept getting better! The people there must have thought I was a crazy man. I was standing there, shooting one photo after another, all while smiling and saying "holy crap - this is amazing!"

(Canon 5D Mark III, Canon 28-300mm lens at 28mm, ISO 100, f/7.1, 1/13 sec)
Normally I would not shoot a photo showing so much sky or water, but I zoomed out to 28mm to capture the entire scene. I really wanted the Golden Gate Bridge, the sunset and the San Francisco skyline all in one shot. I knew that I could always crop this later if need be.

(Canon 5D Mark III, Canon 28-300mm lens at 28mm, ISO 160, f/10, 10 sec, -0.7 exposure comp)
After shooting in the direction of the sunset for 25 minutes (and loving every second of it) , I turned the camera to capture the Bay Bridge and city in the last bit of evening light. So pretty! (Photographer's note: On this photo, you will notice that I did crop some of the water and sky out of the photo. I want to show the deep blue sky and the reflections in the water, but once the water or sky go too dark, they did not add to the photo. I cropped the water to just below the bridge reflection and the sky to where the deep blue ended and the black took over.)

(Canon 5D Mark III, Canon 28-300mm lens at 28mm, ISO 160, f/13, 10 sec, -1.0 exposure comp)
In the last remaining light of the sunset (now 6:30pm), I grabbed this shot of Coit Tower. The challenge of getting this shot was metering the camera as to not blow out Coit Tower, but make sure that the sky and water were still exposed correctly. This involved a little bit of tweaking in Adobe Photoshop to darken the tower and brighten the rest of the shot.

(Canon 5D Mark III, Canon 28-300mm lens at 28mm, ISO 160, f/16, 8 sec, -1.7 exposure comp)
At 6:45pm, the last of the deep blue sky was gone and the night sky had taken over. But not wanting to stop this incredible shooting experience, I walked over to the other side of the island and shot this photo of the Eastern side of the Bay Bridge. This is the new span which was opened less than a year ago.

(Canon 5D Mark III, Canon 28-300mm lens at 28mm, ISO 100, f/7.1, 1/13 sec for main image)

This final shot is one of my favorites, and one that I have already had made into a large metal print (which I may make available to purchase. Email me if you are interested in one.) It is hanging behind me as I write this blog. This is a composite of numerous photos which you saw above. It is the wide sunset shot, now cropped to show less of the sky and water. I have taken the lit buildings from the other photos (taken when it was darker) and dropped them into place, one at a time) so that I no longer have a silhouetted city. The colors and composition of this photo just make me smile, not to mention the memory of that great evening of shooting!

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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.
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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.

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Wednesday, February 25, 2015

Les Gorges du Pont du Diable - Photos from a cool gorge in France

Not too long ago, my wife and I were staying with friends in Switzerland, and decided to make a day trip into France to check out the Les Gorges du Pont du Diable. Our friend had heard about this gorge and we decided that it would be fun to check out. Our friend warned us that it might take many hours to drive around Lake Geneva. But, heck, we were in no hurry and looked forward to seeing the area. So off we went, heading north along Lake Geneva (past Montreux) and into France. It was a small road which ran alongside the lake, but we had some beautiful views like the one below.


If you drive around Lake Geneva, you will see many more vineyards on the Swiss side, than you will on the French side. I was not expecting that!

After 3 hours of driving and stopping to take photos, we came to the gorge. You pay at the top, by the parking area, and then you start a fairly long walk down through the trees until you get to the opening of the gorge.


This was one of the first views from the entry to the gorge. I looked up and loved this view of the trees through the rocks. (Photographer's note: Luckily the trees covered enough of the space to neutralize the light coming through. Otherwise, it would have been difficult to expose the shot for both the dark rocks and the bright sky.)


It was a good hike down to the lower levels of the gorge. Here you can see the pathway that goes along one side of the crevice.


The years of flowing water have polished the rocks.


I like this photo because the people on the walking path give you a sense of scale for this large scene.


The color of the water was aquamarine, surrounded by green moss and red leaves.


I zoomed in to highlight the small red leaves on the smooth rocks.


After leaving the gorge, we continued our drive along the river, heading back towards Lake Geneva. We had overcast skies which were perfect for capturing the river at a slow shutter speed. So I convinced my wife to let me stop and shoot some images of the river. While setting up for the shot, I saw these kayakers coming through a gap. I quickly changed my settings to freeze the action and shot some photos of them.


And here is the photo taken with a 1/2 second shutter speed. I framed this shot to show the changing colors on the far tree, with the flowing water going around the mossy rocks.  It had just started sprinkling when I took this shot, so I had less ambient light and no harsh shadows.

All in all, it was another fun day of exploring in this amazing area.

(All the photos here were taken with the Canon 5D Mark III and Canon 28-300mm lens)
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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.
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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.

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Tuesday, February 17, 2015

Join me in Africa to photograph a Safari!

You may have seen my announcement on Facebook earlier today, but in case you missed that, I want to share this big news with all of you.

For the last 5 years I have had so many people ask me to do a workshop. But with everything going on, I just did not have the time to take this on. And if you know me, you know that I am very passionate about photography, but not the best travel planner (just ask my wife). But then I started talking to the amazing people at M&M Photo Tours about partnering with them, and everything fell into place. 

M&M Photo Tours has a long history of putting together amazing photo tours. They have done this trip many times and they know the best places to stay, the best times and places to shoot. In other words, they have the contacts and experience to do what I could never pull off.

For many years people have asked me what my dream trip would be, and I have always answered "An African Safari". If you have been thinking the same thing, maybe we can make that dream trip come true together. Here is what I am looking forward to:

* Day after day of photographing amazing wildlife
* Photography instruction - sharing my knowledge with all of you
* Editing instruction - sharing my tips for fast workflow and retouching
* Meeting new people and sharing our passion for photography
* Seeing new places and wildlife
* Having fun



So many people have asked me to do a workshop, and now I am so happy to share this news with you. You may have seen me teach online or we may have communicated through Facebook or email, since I work hard to share my photo knowledge without holding back. Now we may be able to meet in person and share the same passion.

The trip will be from Jan 11th to the 25th in 2016 and includes everything including all airfare, lodging, safari, guides, instruction...

You can find out more about this trip here.

Come join me for this once in a lifetime experience!

Wednesday, February 11, 2015

Getting credentialed for the Summer Olympics in Rio De Janeiro



There are 541 days until the start of the Summer Olympics in Rio De Janeiro, and today I found out that I will definitely be fully credentialed to shoot for Team USA once again.

Since this will be my 5th time going to the Olympics, it was not as much of a surprise as in years past, but the elation of seeing that email from the U.S. Olympic Committee was almost the same as the first time I got the confirmation.

If you read the blog regularly, you know that I have a real passion for photography, and I really appreciate the opportunities that this art has brought to my life. I get to travel to amazing places and see historic events, and I will never take this lightly.

I get so many emails and comments on the Facebook page from people who dream to have this opportunity, and I know that I am a lucky person. But the good news is this, unlike other people who travel to the Olympics alone, I get to bring all of you with me (well...virtually).

Just like in years past, I am planning on blogging each day from Rio, sharing my photos and behind the scenes stories with all of you. And I am sure that this Olympics will have a lot of both!

We are still a year and a half from our trip together, but I look forward to sharing this amazing experience with you all once again.

Adeus por enquanto,

Jeff

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If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.
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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.

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Wednesday, February 4, 2015

With all the new DSLR cameras shooting at high ISOs, is f/4 the new f/2.8?

For the last ten years, I have always leaned towards purchasing high quality lenses that let me shoot at f/2.8 or better. But, as you all know, these lenses tend to cost a lot more than their counterparts which top out at f/4.

Why have I preferred f/2.8 lenses?

Mainly for three reasons:

1. I love shooting at wide apertures to blur the background and give me great selective focus on my subject.

2. Quite often the more expensive f/2.8 lenses have the higher quality glass and yield the best images.

3. These lenses let me shoot at faster shutter speeds in low light situations (dark events and dimly lit sports venues mostly).

The first point still stands, and there is no substitution for a narrow depth of field, especially when shooting portraits. The really "fast" lenses can shoot at apertures like f/1.2 or f/1.4. And  I still love shooting with these lenses at events to separate my subject from everyone else.

The second point is still true in many cases, but there are plenty of excellent lenses that max out at f/4.

But the third point is becoming less relevant, with the advent of newer cameras. The reason is this...the newer cameras now let you shoot at crazy high ISO levels with very little digital noise.

This photo was taken with a Canon 5D Mark II at ISO 3200 at f/6.3 at 300mm. 
Look at the photo above. This was taken at the Grand Ole Opry in Nashville, TN. I brought in my Canon 5D Mark II, with a consumer grade Tamron 28-300mm lens (figuring that there was no way they would let me shoot with a big old pro lens). I shot this at f/6.3 all the way out at 300mm. I cranked up the ISO to get me a shutter speed of 1/125 sec.

Lets look at an example from 10 years ago when I was shooting sports indoors. Back then I was using a Canon 20D and would never have pushed the ISO about 800, because the image quality degraded too much. So I would set the camera to ISO 800. I would then mount my Canon 70-200 2.8 lens on the camera and set the aperture to 2.8. But even then I might only achieve a shutter speed of 1/100 second. Yikes! Not nearly fast enough to capture a fast action hockey game. If I were to use a variable aperture lens and shoot at f/5.6 it would be even worse!

Today, I am using cameras like the 1DX, 7D Mark II, or 5D Mark III and I can push the ISO to levels of 10,000 and still get usable images. So having a fast lens is not as necessary.

This photo was taken at ISO 1250 at f/4
I mentioned the advantage of f/2.8 with the narrow depth of field, but sometimes that can work against you. If I am shooting a hockey game at f/2.8, it is likely that the athlete I am focusing on will be in focus but all the other athletes will be out of focus. This is not always ideal. There are times when I want to photograph a group of athletes and have them all in focus. In this case, I would probably want to shoot the photo at f/5.6 or f/8. But if I am indoors and at a low ISO, this would be darned near impossible. With a high ISO, this now becomes possible.

So...do we have to have a f/2.8 lens to shoot sports? I don't think so.

As a matter of fact, I really like using the Canon 100-400mm for sports since it is light weight (compared to the really big lenses).

But, my dream lens from Canon is the 200-400mm lens with the built in teladapter. It is f/4 all the way from 200mm to 400mm, and if I switch on the teladapter, I can shoot all the way to 560mm at f/5.6. And, if you read my blog a lot, you know that I love using zoom lenses, so that I have options in how I compose a shot. I used a prototype of this lens at the London Olympics and a shipping version in Sochi, and the image quality was just great!

I have heard people say, I would not use the Canon 24-105mm lens because it is an f/4 lens and not f/2.8, but I have used that lens for years and had excellent results. It is very sharp and has a nice focal range to shoot wide or closer in.

So...if you own a newer DSLR camera, and are looking for a new lens, you might be able to save some money with one of the less expensive lenses and capture good photos even in low light.

I would love to hear your thoughts on this subject.


_________________________________________________________________________________

If you are interested in purchasing any camera equipment, please click here to go to B&H Photo, as I get a referral from them if you enter this way. I would really appreciate that.
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And also, remember that you and your friends can enter your email address at the top right of this blog to get an email any time I write a new blog post.

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