Friday, January 18, 2013

Las Vegas - The Strip at Night

Last Friday, I returned from the Consumer Electronics Show (CES) in Las Vegas, Nevada. Most of my daylight hours were spent either presenting or in meetings, but I still managed to get out for a couple of night shoots along the famous Las Vegas strip.


On my first night in town, I met up with my good friend, Matt Sweetwood (who is the President of Unique Photo in New Jersey) and we had an awesome dinner. What is the best way to work off dinner? Take a walk around and shoot some photos, of course! (Photographer's note: I shot this photo with a 6 second exposure to create the light trails from the cars. I timed this exposure so that the cars were turning towards me. I found that the curved lines were more appealing than straight lines. Since I was not planning on shooting at this time, I did not have my tripod with me. I set my camera on a nearby wall and used the 2 second timer on the camera to avoid any camera shake.)


A couple of nights later, I decided to walk half of the strip (a 10 mile walking day for me) and took my tripod this time.


Here are a couple of shots of the Excalibur Hotel. It is cool looking from the outside, but I stayed there once many years ago, and would never stay there again. But, hey, this is all about the photo so...



When in Las Vegas, I usually stay at the MGM Hotel. Since I had a little spare time, I decided to set up my tripod and shoot this image in the lobby of the hotel. 


A photo of the New York, New York hotel from the strip. (After countless trips to LV, I finally joined a bunch of friends and rode the roller coaster at this hotel - seen above.)


The West Coast version of the Statue of Liberty...


I shot this to highlight the angled buildings, which were nicely lit from the lights on the strip.


Another view of the buildings..


There are many walkways which cross over the strip. Unfortunately, the majority of them are bordered by large plexiglass panels, making it very difficult to shoot through. I would always walk to the ends of the walkways, where there were clear unobstructed views, to shoot my images. 


If you saw my blog post from Minneapolis, you know that I was fascinated with building reflections. Once again, I came across a really cool reflection of the Paris Hotel across the street.


I took this photo looking over the Bellagio pond towards the Paris Hotel. I purposely shot this before the water show, to highlight the light reflecting in the pond. 

And then I walked into the Bellagio Hotel where I was meeting a bunch of my friends from Canon.



I got to our meeting place a couple of minutes early, which meant that I had a little time to shoot images in the lobby of the hotel. 


Looking straight up, I wanted to capture images of the amazing colors in the "Fiori di Como" chandelier, designed by the famous glass sculptor, Dale Chihuly.


Moving around and keying in on certain areas of the chandelier, created so many different views and perspectives.


After walking for many miles, I decided to sit down and wait for my friends. I picked a seat that was right under the nose of the gilded horse. I looked up and thought that this would be a cool and unique view of the ceiling. I set the camera low on the tripod, pointed it almost straight up, guessed at the right angle and fired from a low vantage point on the floor. Something different from what most people were shooting in this lobby!

Tuesday, January 8, 2013

Having fun in the snow - a family vacation in Mammoth Lakes, CA

This year, like many years, we spent the week in between Christmas and New Years in Mammoth Lakes, CA. For those who have never been there, it is a beautiful place located relatively close to Yosemite National Park, known for their ski resort and winter activities. Most of the time was spent with the family, and not behind the camera. But, since I find so much enjoyment taking photos, I made some time with the camera and the family.



This is a panorama image of Convict Lake was taken using 10 RAW images from the Canon 5D Mark III, making it a whopping half gigabyte single PSD file.


On the first day there, we decided to go snowshoeing.


We all had a good time, but I think Cooper had the most fun. This was the first time that our 1 year old puppy had experienced snow.


Woo hoo - this is fun!


The funny thing is...we always think of Cooper as a very white dog, but when you get him into the pure white snow, it is amazing how much darker he is against the background.


Our daughter, Ali, looking stylish.


Our son, Connor, hanging with Cooper.



Since my son, Connor, has a lot of experience with DSLR cameras, I had him take a rare shot of me and the puppy.


This shot of Cooper was just too darned cute not to include in the blog.



I shot this image of this pretty tree while hiking through the snow with Connor.


I took this shot of Ali with my iPhone 4S at the top of the slope. I am still amazed at the quality of the panoramic photos from this phone.


I shot this photo on the road up to Convict Lake (named for some convicts that escaped from a prison in Carson City in 1871 and then were killed at the lake). I really liked the gentle slope of snow. After looking at the original photo, I decided that this one would look even better in black and white.


After shooting some images from the nearby road, I decided to work my way through the snow to see if I could get a better vantage point. When I came across this frozen log, I was blown away. What a perfect foreground subject for my lake shot!


Any time I come across something like this, I like to take my time to "work the scene". I shot many images of this ice covered log, using a combination of lenses. These were all taken with the Canon 16-35mm 2.8 lens (ranging from f10 to f16 to get everything in focus).



After shooting at Convict Lake for 45 minutes, we headed back to the valley and shot some images. I set the aperture to f16 to give me a nice sun flare and captured this photo. Then it was back to the house for some much needed lunch!

Monday, December 31, 2012

Jeff Cable Photography - Best of 2012 year-end video

I just posted my year end video featuring my favorite images of 2012 (shown in chronological order). I hope that you all enjoy it, and I hope you have a great 2013!


Happy new year!!!

Lake Tahoe and Mammoth Lakes - Some beautiful snow in the High Sierras

On December 27th, the family made our somewhat annual trip to Mammoth Lakes, CA for a little skiing and R&R. The drive from the San Francisco Bay Area could not have been any better. No snow until the very end of the 7 hour drive and no traffic at all. On top of that, we had some amazing scenery as we drove through the Sierras.


We had perfectly blue skies as we drove through the Lake Tahoe area. The trees were all covered with fresh snow from the previous night's storm and it was just beautiful. I had to stop to get some shots of this.


A sun flare shot (Photographer's note: To shoot a sun flare shot, have your aperture set for f16 and move yourself so that you see just a small amount of the sun peeking through the leaves.)


Mother Nature sure paints a pretty site!


Normally I would not shoot a landscape shot including a plowed road, but this was just too pretty (even with the road) not to photograph.


As we approached Mono Lake, we pulled over at the vista point and admired the great cloud formations over the snow covered valley.


We arrived at the Mammoth house at 3:30pm and after unpacking the truck, my wife saw this amazing sunset. I grabbed my Canon 1DX with the 24-105mm lens and grabbed some shots.After shooting the sunset shots, I walked back towards the house and saw the moon just starting to rise above the mountains and in between the trees.



I ran back to the house and quickly switched to the Canon 100-400mm lens and shot some moon rise photos. (Photographer's note: Normally I shoot my night shots with a tripod, but since I didn't have enough time to set everything up, I shot this handheld. I set the camera into manual mode at an aperture of f5.6 at 380mm. I chose an ISO setting of 500 and a shutter speed of 1/400 in order to avoid blowing out the moon, but also to give me a fast enough shutter speed to handhold the shot and not make it blurry.)

Well...it looks like this will be the last blog of 2012. Looking back my blog posts from this year, I feel incredibly lucky to have experienced so many amazing things. I have had a chance to travel all over the world and meet so many interesting people. I have also heard from so many of you, the blog readers, with great questions and feedback. I would like to thank all of you for being part of this ongoing journey through life! I hope that you all have a great New Years Eve and a positive and eventful 2013.

Monday, December 24, 2012

Our Holiday Photo - How I added our dog to our family picture

December is a really busy month for us photographers, since so many of our clients reach out to us for their annual holiday photos. I try my hardest to capture family portraits for any of our friends or family who request them. I also end up editing a whole lot of family photos from this past year's events, as the requests come piling in. With all of this happening, it is sometimes difficult for me to capture my own family portrait. There are times in the past, when we have sent out a photo of our kids (which is much easier for me to shoot), but it is always nice to have the whole family if possible. So...this year, on Thanksgiving Day, while spending an hour capturing family photos for extended family members, I set up my camera and asked one of our relatives to shoot our family portrait.

He did a great job of holding the camera steady, and his framing was pretty good, but after seeing the images, I was a little unhappy with the gaping hole in the middle of our group. If I had been shooting the image, I would probably have asked my son and I to move a little closer to each other, but I was not shooting and couldn't tell until later in the evening and it was too late to re-shoot.

A week went by and I decided to play with the image a little more, and then it hit me! Our new puppy, Cooper, was not with us on Thanksgiving and needed to be added to the image. And that hole in the middle would be a perfect place for him. So I decided to take an OK image and make it better.

Here are the steps I took in order to make this happen...


This is the original RAW file. The first thing I needed to do was to make adjustments to the exposure and contrast.


Step one: Using Adobe Camera RAW, I brightened the image by half a stop and added a little contrast.


Step 2: I needed to shoot photos of Cooper to drop into our family photo. Trying to keep the lighting the same, I took Cooper outside in my backyard to use natural light and a little fill flash (just like we did on Thanksgiving Day). I knew that I needed Coopers front paws to be raised so that it would look natural behind my wife and daughter. I put a wood bench in front of him and my wife kept his attention with some treats. As you can see, I shot plenty of frames to try and get him looking at the camera and with that perfect expression on his face.


Step 3: I found the photo of Cooper that looked best, and, using the lasso tool in Adobe Photoshop CS6, did a rough outline around him and copied that part of the image.


Step 4: I pasted the image of Cooper into a new layer onto our family photo.


I could have dropped in Cooper without resizing him, looking a little like the old cartoon "Clifford The Big Red Dog", but decided that I should make it look a little more realistic. :)


Step 5: Using the Transform feature, I re-sized the layer so that Cooper would not be "Clifford the Big Red Dog" huge.


The size is much better now, but you can see that I still have a ways to go.


Step 6: I create a Layer Mask for Cooper's layer and paint out the background surrounding the dog and make sure that my wife and daughter are not covered by any of Cooper.


This is what the image looked like with Cooper in place, but the image is not complete yet. There were a couple of small distractions in the photo (garden hose, stray leaves, shadows...) that I removed.


Step 7: I ran a Photoshop Plugin called "Portraiture" to smooth our skin a little bit. Some people might think that this is cheating, but hey, I am just using it slightly, and we do look better! :)

Step 8: For the final step, I cropped the image to a 5x7 aspect ration to drop into our holiday card. 

And there you have it. A fairly simple way for you to add your pet into your family portrait. Actually, I think this is probably easier than trying to take the same photo with all five of us. Cooper is still a puppy and not all that obedient or calm. I am not sure that he would have stood still for this shot, and I can almost guarantee that the four of us would not have been as calm if he was in the middle of us all. 

I hope that this helps all of you aspiring photographers to make a better family portrait in the future. 

Happy holidays everyone!

Monday, December 17, 2012

Minneapolis - Some interesting architecture in the city

You might recall that, about one month ago, I wrote a blog about my trip to Minneapolis. In that blog, entry I concentrated on the many reflections that I saw around the city.

On that same trip, I also made a quick trip out to the Weisman Art Museum at the University of Minnesota. When researching interesting things to photograph in Minneapolis, I saw this interesting building which was across the river from my hotel. Amazingly, when asking people for directions to this museum, not one person knew what I was talking about. Thanks to my iPhone (yes - using Apple's Maps app), I was able to find the place and take some photos of this unique structure.


I am not a huge modern art fan, but I was really captivated by this architecture. What was most intriguing to me was that, with even the smallest movement to one side or another, the photos of the building would take on a completely different look.


I mostly shot wide images of the museum, but also tried to key in on certain areas of the building. For all of these shots, I used the Canon 5D Mark III with the 24-105mm lens. Since it was fairly overcast at the time, I set the camera to ISO 400 to keep my shutter speed fairly fast.


For this shot, I moved farther to the left, and closer to the building. This allowed me to capture the name of the museum in the frame and also let me tilt the camera up to include the cloudy sky. Notice how this view of the museum shows only one window, whereas in the frames above (taken only feet away) show numerous windows.


A tighter shot from the same angle as before...


Just before leaving this location, the clouds dissipated just enough for the blue sky to peek through. This time, shooting from the right side of the building, I was able to show yet another perspective and get some color in the skies above.


I have been to Minneapolis many times, but had never heard about the Mill Ruins. A friend told me that this would be a cool place to shoot images, so I drove back over the Mississippi river and headed to Mill Ruins Park.


The Mill Ruins Park is located on the west bank of the Mississippi River and is a newly renovated park area. Walking around, you can see what is left from the 19th century flour mills. I had no idea that this area was once one of the worldwide leading producers of flour.


You can see the Guthrie Theater in the background, with the cantilevered "Endless Bridge" which juts out from the theater. 


Here is another view of Mill Ruins district, with the ruins in the foreground and newly revitalized office and living space in the background.

Tuesday, December 11, 2012

Canon 5D Mark III Silent Mode: Why doesn't Canon promote this more?

I was one of the many people waiting for the Canon 5D Mark III to come out. I had been using the 5D Mark II cameras for many years and wanted to see some things updated, specifically:

* Cleaner images at higher ISOs
* Faster frame rate
* Better LCD on the back of the camera

When I saw that all of these had been addressed with the 5D Mark III, I ordered one camera to evaluate. As it turned out, I really liked the new features of the camera and the improved user interface. All was good. And then, after reading the manual and playing around a little more, I stumbled on the silent shooting mode. "Huh? What the heck is this?" I thought. And so I gave it a try.

Oh my goodness, this feature is amazing! Some people may not care about a silent mode, but since I spend a lot of time shooting inside temples and churches, in an environment where the sound of a camera shutter is distracting, this is HUGE. Seriously, this feature is a real game changer for me!

I can not tell you how many times I have shot images of a religious service and had the clergy look back at me with that disapproving look. Well...that does not happen any more. Some DSLR cameras have silent modes that frankly aren't that silent.  Heck, even the Canon 1DX supposedly has a silent mode, but it sounds like a machine gun compared to the 5D Mark III. I actually tried using the 1DX inside a temple a couple of weeks ago and that did not go well. After only shooting 4 images, I got that "look of death" from the Rabbi. Hmmmmm... I won't do that again.

In my area, there are numerous venues where they allow video capturing but not still photography. Sometimes they will give me a good reason for this rule, but other times, they just say "that's the rule" with no further explanation.  With the silent mode of the 5D Mark III, I can ask for permission to shoot in "video mode" and fire off stills without disrupting anyone. As I said , this is a game changer! I can now shoot images in venues where many of my competitors can't.

This is not only an amazing feature for people shooting weddings, bar mitzvahs, quinceaneras, or other quiet events. This would be perfect for those wildlife photographers who want to shoot photos of a skittish animal. Or better yet, how about those photographers trying to take pictures of a Tiger? Tiger Woods that is. He is always complaining about the photographers taking photos of him when he is about to hit a golf ball. Sure, the burst rate of the camera goes down from 7 frames a second to 3.5, but in most cases, this is still a good trade off.

With all of this said, I should mention that when I am not shooting in a quiet environment, I still prefer to shoot in normal continuous mode. Why? Because I really like to hear the shutter in action. I have been shooting long enough that I can judge my shutter speed by the sound of the shutter. 

So anyways...my big question to Canon is: "Why aren't you guys promoting this feature more in your marketing materials?" This particular feature is a unique selling proposition against their competitors. Now, when people ask me my opinion on the 5D Mark III, this is my first comment. Yep, even more so than the clean shooting at ISO 3200.

I am curious to know if other 5D Mark III users have had similar experiences. All I know is, I am silently happy as can be! Shhhhhhhhhhh.


Here is a video file for you to play to see and hear the difference between the regular shooting mode and the silent shooting mode of the Canon 5D Mark III. (I should also mention that the shutter is actually quieter than this video makes it sound.)